Bibliography
This is a work in progress and reading log - see DPA or Dance Technology Zone for a more complete list.
On Theatre and Narative:
Abbot, H. Porter.
The
Aristotle.
Poetics. Translated by Gerald F. Else.
Auslander,
Philip. Liveness.
0
Scheckner, Richard (?)
Wilson, Robert www.robertwilson.com
Art:
A1 Smith, Barry. “Live Art’s digital Horizons: Recording Recent Developments in Live Art Practices.” Literary and Linguistic Computing, Vol. 12, No. 4, 1997, 251-257.
Computer Theatre:
CT1 * Pinhanez, Claudio S. "Computer Theater."
CT2
* Maes, Pattie, Trevor Darrell, Bruce Blumberg,
and Alex Pentland. "The
ALIVE System: Wireless, Full-body Interaction with Autonomous
Agents." MIT Media Laboratory.
On Computers, Virtual Reality and Theatre:
*Ascott, Roy. "Is
There Love in the Telematic Embrace?"
Art Journal. 49:3 (1990):
241-7.
0
W3 * Drain,
Richard, ed. Twentieth-Century Theatre.
* Dynamic Performance
Spaces for Theatre Production
* http://dn.media.mit.edu. (
* Kac,
Eduardo. “Aspects of the Aesthetics
of Telecommunications.” Siggraphy Visual
Proceedings, John Grimes, ed.
Laurel, Brenda.
Computers As Theatre.
0
Lovell, Robb E. and John D. Mitchell. Using human movement to control
activities in theatrical environments, In Proc. Of Third International Conference on Dance and Technology, 1995.
*
Lyotard Demo website. http://www-2.cs.cmu.edu/afs/cs.cmu.edu/project/oz/web/lyotard2.html.
*
Mirapaul, Matthew. "The
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0
Mitchell, John D. and Rodd E. Lovell. Environment
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the International Symposium on Electronic Art,
Murray, Janet
H. Hamlet on The Holodeck.
0
Naoko Tosa and Ryohei
Nakashu. For interactive virtual drama: Body communication
actor. In Proc. of the 7th
International Symposium on Electronic Art,
*
Partridge, Allen. "Culture
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Online Discussion Forum, Interdisciplinary Fine Arts program at
Rafaeli,
Shezaf. “Interactivity, From New Media
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*
Roberts, Paul, webmaster. "Who
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0 Sparacino,
Flavia. Directive: Choreographing media for interactive
virtual enviroments. MIT Media Arts and Sciences
Steuer,
Jonathan. “Defining Virtual Reality:
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and Mark R. Levy, eds.
33-56. Hillsdale:
0 Unruh, Delbert.
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Theatre Design and Technology, 32 (1 Winter
1996): 44—47.
Core
Core
1 * Birringer, Johannes H.
"Contemporary Performance/Technology."
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1999): 361-381.
Core 2 * Malone, Sheila A. "The New Performer:
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Digital Dance and Technology:
D1 Dance and
New Performance Technology: A Summer Intensive Workshop in Performance Telematics http://herbergercollege.asu.edu/dance/swipt
George Coates Performance Works:
GC1 *
Rosenberg, Scott. “George Coates and Virtual Reality.” TheatreForum, Spring 1992, 4-12.
* Borris,
Chris. George Coates Interviewed by John Papageorge.
* Carroll,
Jerry. “Philosophical Coates”. San
Francisco Chronicle.
* Carstensen,
Jeanne. “George Coates: the High and Low of Tech”. The Gate.
www.georgecoates.org/OnMars/show/pressrelease.txt.
* Carstensen,
Jeanne. “Wittgenstein: On Mars”. The Gate.
0
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* Elliott,
Vicky. Light on the Wall. San Francisco Chronicle.
* George Coates
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* Illingworth,
Montieth M. George Coats (sic): Toast of the Coast. www.cyberstage.org/archive/cstage12/coats12.htm.
* Meloan,
Steve. “
*
* www.albion.com/blake/archive/volume1997/24.html
* www.georgecoates.org/BlindMessenger/index.html
* www.georgecoates.org/OnMars/show/index.html
* www.georgecoates.org/OnMars/show/pressrelease.txt
* Zagreus,
Leah. Art as Fascism? No, Just a Bunch of Sarcastic
Crap. http://www.auricular.com/AIM/reviews/coates/coates.html.
*
http://www.volunteersolutions.org/volunteer/opp/one_183930.html.
* http://www.fortune.org/nowhere.html.
Gertrude Stein:
GS1
* Faver, Cherryl. “Toward
a Digital Stage Architecture: A
Long-Term Research Agenda in Digitally Enabled Theater.” IEEE MultiMedia, October-December 2001, 6-9.
GS2
* Haines, Chris. “Mabou Mines Live
On in Cyberspace.” American Theatre, January 1996, 64-67.
GS3 * Reaves,
John. “Theory and Practice:
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Live:
Live 1
Auslander, Philip. “Against Ontology: Making Distinctions between the Live and the
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50-55.
Multi-Site:
MS1
*
Riverbed:
R1
* Hamilton, Anita. “Double Vision.” Time,
R2 * http://www.riverbed.com/Website articles: ("What
is Loops?", PK interviews WF, Ghostcatching)
R3
* VonKleist,
Heinrich. "On the Puppet Theater."
In An Abyss Deep Enough: Letters to Heinrich von Kleist
with a Selection of Essays and Anecdotes, 1982, translated and edited
by Philip B. Miller, 211-216.
R4 *
? http://www.riverbed.com/Website articles. Ghostcatching.
R5 *
? http://www.riverbed.com/Website articles. Ghostcatching. (Different document)
R6 *
? http://www.riverbed.com/Website articles. Hand-Drawn Spaces.
R7 *
? http://www.riverbed.com/Website articles. Ghostcatching. (Again, a different
document)
R8 *
? http://www.riverbed.com/Website articles. (PK interviews WF?)
R9
* Pollack, Barbara. Article in ARTnews (March 2002)
R10
* Dunning, Jennifer. Article in The New York Times (
R11
* Kisselgoff, Anna.
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R12
* Dunning, Jennifer. Article in The New York Times (December 10, 1999).
R13
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R14
* Acocella, Joan.
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R15
* Hamilton, Anita. Article in Time (
R16
* Yablonsky, Linda.
Review of MASS MoCA in Time Out (
R17
* Canemaker, John.
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R18
* Bunn, Austin. Article in The Village Voice (January 12, 1999).
R19
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Robert Wilson:
W1 * Marranca,
Bonnie and Gautam Dasgupta,
eds. Conversations on Art and Performance.
W2 * Marranca,
Bonnie, ed. The Theatre of Images.
W4
* Kors, Stacey.
“Monsters of Grace.”
www.salon.com,
* DPA. “Monsters of Grace.” * http://dpa.ntu.ac.uk/dpa_search/result.php3?author=64
Stanford (Virtual/Computer
Theatre):
S1* Doyle, Patrick. The Virtual Theater Project
website. Maintained
by pdoyle@cs.stanford.edu.
Studio
Z:
www.cth.bigstep.com
www.studioz.org
* http://www.cc.ukans.edu/~mreaney/
0 "3D
Stage Sets"
0
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0
Adler, Eric. "Theater's Computerized Scene Shop: Make-believe
worlds can be designed and perfected through the technology of virtual
reality."
0
Albright, Kay. "Play Brings Virtual Reality to KU Stage."
0
-----. "Virtual Reality Play Offers Audiences a New Experience:
Audience limited to 60.'' Oread (
0
Allen, David-Michael. "The Spectator's Edge in the 3D Theatre
of The Adding Machine: A Virtual Reality Project."
Association for Theatre in Higher
Education,
0 ----"The
Nature of Spectatorial Distance in VR Theatre"
Theatre in Cyberspace: Issues of Teaching, Acting and Directing. Stephen
A. Schrum ed., American University Studies, Series XXVI, Theatre
Arts, Vol. 28239-248, New York, Peter Lang Publishing, 1999.
0
Arnold, Jake. "All the World's a Virtual Stage: A Virtual
Reality Play Comes to KU Tonight." University Daily Kansan (1~ April,
1995): 8A.
0
-----. "Avant-Garde Play is Virtually
Real.'' University Daily Kansan
(
0
Berg, Chuck. "Theatrical 'Virtual Reality' to Debut: Theater
through the Looking Glasses." The [
0 Brady, Jenny
"3D Stage Sets",
0 ---- "A
Week in the Lab: The Virtual Theatre Show",
0
Brosius, Liz. "Virtual
Theatre." Spring 1995.
0 Cage, Mary
Crystal. "Actors Joined by Computer Imagery in
0 "Case
Studies, Technology across the Campus: Virtual Theater. The
0
Gianeeto-Adams, Judy. "The Edge
of Reality: KU's Ron Willis and Mark Reaney
Break Free of Traditional Theatre to Embrace the Cyber World of Virtual
Reality."
0
Gharavi, Lance. "A Brief History
of i.e.VR at the
0
-----.
"Consorting with the Demon: The Death of Theatre and Other Minor
Matters." Why Theatre? Conference, Toronto
0 ----"i.e.VR:
Experiments in New Media and Performance" Theatre in Cyberspace:
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Arts, Vol. 28, Peter Lang Publishing New York, (1999) pp. 249-271
0
-----. "Subtracting People, Adding Machines, Equaling Beckett:
Playing with Presence in Cyberspace." Beckett Festival,
0
Gibbons, Frachra. "Computers 'enhance'
Shakespeare's Bottom". The Guardian,
0
King, Mason. "Camera Reality?: Live actors merge with high-tech imagery in 'The Adding
Machine,' a ground-breaking virtual- reality theater production at KU."
0
-----. "Interface with Theater: KU Professor Steps into
0 Londre,
Felicia Hardison. "Virtually Zero."
American Theatre (July/Aug. 1995) 66-67.
0
Luce, Mark. "Room with a Virtual View Audiences
Will Have to Gear Up for 'Wings"
K3 Mahoney,
Diana Phillips. "Live Theater
Gets a Virtual Boost: At the University of Kansas, computer-generated
scenery sets the stage for a one-of-a-kind production." Computer
Graphics World, (July 1995) 76-78.
0
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Mag,
0
Neil, Denise. "Professor Interfaces with Theater: KU's
University Theatre will break new ground this spring with a production
integrating a 1920s play, human actors and virtual reality technology."
0
Popovich, George. "Artaud
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*
"Not in
0 "A Preview
of Fall '96 Productions." Spotlight
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K1
Reaney, Mark. “Virtual
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36-43.
0
Reaney, Mark. "Digital Scenography:
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2000, Vol.1, No.1, Paris
0 ----"KU
Establishes the Institute for the Exploration of Virtual Realities (i.e.VR)."
Spotlight 4:1 (Fall 1996) 4.
0
----. "The Theatre of Virtual Reality: Designing Scenery in
an Imaginary World." TD&T, (Spring 1993) 29-32.
0
-----. "Virtual Reality en Drama: Een
gesprek met Mark Reaney,"
interview by Judith van Wessel. Theater & Educatie,
Tildschrift voor Drama
2:3 (August, 1995) 27-23.
0 ----"Virtual
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1999 Vol. 10, No.3, pp. 183-188.
0
-----. "Virtual Reality on Stage: VR Valuable for design,
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1995) 28-31.
K6
* Reaney, Mark.
“Virtual Reality Sprouts Wings.”
TD&T, 34, no. 2.,
Spring 1998.
0
----- and Lance Gharavi. "Virtual
Reality in Performance: The Adding Machine.'' United States Institute
for Theatre Technology,
0
----- and Ronald A. Willis. "Virtual Theatre." New England Theatre Conference,
0-Ruling,
Karl G. "VR Scenery Onstage." TCI April 1996,49.
0-Schleier,
Curt. "Van Gogh Meets Virtual Reality: How the Computer is
Revolutionizing the Arts." A&E
Monthly (September 1995) 33- 35.
0
Shuttleworth, Ian. "Is this curtains
for ushers? Ian Shuttleworth views the prospects for virtual theatre: Future
Stages."
0
Smith, Bunny "Technology Challenges KU production" The Mag,
Lawrence Journal World (Nov. 1996) 12.
0
Streeter, April "VRML paving the way for 3-D designers" MacWeek
(Dec. 12, 1996) 47, 49-50.
0
Sutherland, Amy. "Virtual Reality Takes the Stage." Ovation.
0 "
0
-----. "Virtualni Realita
v Divadle: Pocitaci Stroj--Projekt Virtualni Reality na Kansaske Univerzite."
Svet & Divadlo
(1995) 14-24.
K4
Watkins, Adam with Kristen Watkins. "Virtual Limelight."
Computer Graphics World, (March
2000) 36-40.
0 "Virtuelles
Theater" Spektrum der Wissenschaft
(
0
"Virtual Reality to Hit Stage at KU."
0
"Virtual reality play takes audience to new level" St. Joseph
News- Press (Nov. 29, 1996) D15.
0
"Virtual Reality Used in Live Theatre." Real
Time Graphics 4:3 (September 1995) 17.
0
"VR Theater Uses HMDs." Real Time Graphics 5:4
(Oct.-Nov. 1996) 9.
0
Willis, Ronald A. [titles, etc.]
0
Woodard, Bill. "Scenic Routes: 1990s high tech sets project
the drama of a 1920s play, turning virtual reality into real artistry."
Other Performers
Other
1 Handy, Bruce. “Have Gigabytes, Will Act.” Time,
* Anderson,
Laurie. Puppet Motel. Interactive CD-ROM. 1995.
*
http://www.laurieanderson.com/.
*Armstrong,
Keith. http://www.outlook.com.au/keith/projects/transmute/p990trte.htm.
* Curtis, Gayle.
“Robot: Choreography and
Human Dance.” http://guide.stanford.edu/People/curtis/machoreo.html.
* Dynamic Performance
Spaces for Theatre Production
* Leeson,
Lynn Hershman. Conceiving
* Vigoda,
Benjamin. Shadow Juggling System for the Flying Karamazov Brothers. Media Lab, MIT.
*
http://web.media.mit.edu/~vigoda/karamazov/karamazov_index.html
* http://web.media.mit.edu/~bigjoe/jkb/
Gertrude
Stein Theatre Company:
* Saltz, David Z. "Live
Media: Interactive Technology and Theatre."
http://www.drama.uga.edu/production/archive/1999-2000/tempest/
* http://visarts.ucsd.edu/~ajenik/godot/godot.html.
Added
0
Laurel, Brenda. Placeholder: Virtual Environment Project (Description).
0
deLahunta, Scott.
“Virtual Reality and Performance.”
PAJ: A
Journal of Performance and Art, 24.1 (2002) 105-114.
0
Naish, Paul D. “Space
and the Postmodern Stage, and Space
in Performance: Making Meaning
in the Theatre Space and the Postmodern Stage.”
Theatre
Journal. 54.3 (2002) 508-510.
0
deLahunta, Scott.
“Speculative Paper: Theater/Dance and New Media and Information
Technologies.” http://www.art.net/resources/dtz/scott3.html.
0
http://www.ukans.edu/~mreaney/3d.html.
0
http://www.ukans.edu/~mreaney/flute/.
0
http://www.ukans.edu/~mreaney/dinosaurus/.
0
http://www.ukans.edu/~mreaney/midsummer/.
0
http://www.ukans.edu/~mreaney/machinal/.
0
Fraser, David G. Tesla Electric. http://www.ukans.edu/~mreaney/tesla/.
0
http://www.ukans.edu/~mreaney/wings/.
0
http://www.ukans.edu/~mreaney/play/.
0
http://www.ukans.edu/~mreaney/machine/.
0 Starbuck,
Jennifer Parker. “Triangulated
Nation, and Lizard
Monitors.” Theatre
Journal, 51.4 (1999) 445-450.
0 Reaves, John.
Digital Performance: The Online Magazine for Artists Embracing Technology.
Summer 2002.
0 Winn, Steven. “The Scene: Meeting of the Berkeley Mock City Council:
Maybe politics is funnier when it takes itself seriously.”
San Francisco Chronicle, (
0
http://users.aol.com/halcyondaz/hyperdrama.htm.
0
Auslander, Philip.
“Live From Cyberspace: or,
I was sitting at my computer this guy appeared he thought I was a bot.” PAJ: A Journal of Performance and Art, 24.1 (2002) 16-21.
0
Tanaka, Jennifer. “Theatrics Out of Thin Air.”
American Theatre (September 1999) 24-27.
0
Istel, John. “The Persistence of Vision: The Ephemeral Art of Projection Design.” American Theatre, (October 1995) 32-34.
0 Londré,
Felicia Hardison. “Virtually Zero.” American Theatre, (July/August 1995) 66-67.
* Pinhanez,
Claudio S. “It/I.” http://web.media.mit.edu/~iti/.
* Pinhanez,
Claudio S. “SingSong: A Play for
Human and Computer Actors.” http://web.media.mit.edu/~pinhanez/singsong/singsong.html.
* Nielsen,
Frank. The HyperMask
Project. http://www.csl.sony.co.jp/person/nielsen/HYPERMASK/hypermask.html.
* Burke, Jeff.
“Dynamic Performance Spaces for Theatre Production.” TD&T, (Winter 2002) 26-35.
* Bosma,
Josephine. Interview with Heidi Grundmann.
*
Ippolito, Jon. The
Art of Misuse. http://telematic.walkerart.org/overview/overview_ippolito.html.
*
http://isa.hc.asu.edu/cellbytes/scott/cellbyte.html.
*
http://visarts.ucsd.edu/~ajenik/adriene.html.
* Jenik,
Adriene. “Santaman’s Harvest: Desktop Theater (Description).” http://dpa.ntu.ac.uk/dpa_search/result.php3?Project=74.
* DPA.
“Doublehappines2 (Description).”
http://dpa.ntu.ac.uk/dpa_search/result.php3?author=261.
* http://dpa.ntu.ac.uk/dpa_site/main.html.
* http://www.daimi.au.dk/~sdela/dte/.
* http://www.troikaranch.org/.
* Connor, Kevin.
“Vaudeville Project Lands Grant.”
www.onlineathens.com/stories/100601/uga_1006010030.shtml.